Nathalie Desjarlais has gone from discovering YWCA programs and putting her addictions behind her, to serving as a role model for women accessing YWCA services today. In the process she likely saved her life.

Part of the inspiration for YWCA Regina’s new $45 million Centre for Women and Families opening in 2022 in Regina are six simple leather chairs in the organization’s current lobby. They are always occupied because they offer safe refuge for anyone who needs it. No one is ever asked to leave. Meet four U of R graduates who are leading YWCA Regina into a new era.

Like many people, Nathalie Desjarlais had always thought of the YWCA as a place with a gym and a pool. She had no idea of women and families, until she, herself, had nowhere else to turn. “I came here straight from detox. My counsellor made a phone call and the YWCA had a room. I was nervous at first when I got here, about living among a bunch of other women,” she says.

She volunteered at the clothing store, cleaned common areas, participated in communal cooking, and took various classes. “It helped me feel proud, like you’re actually somebody now and not just someone who is hiding in a room.”

It wasn’t long before the residence began to feel like home. “I loved it. I had a key to my own room. I didn’t care if that room was small. I had my own bed. When you don’t have anywhere to go, these things are important.” Desjarlais says living at the Regina YWCA for four years helped her stay sober. “It helped me find myself again. I don’t need to be drunk or high to enjoy my day.”

Integrating herself into the community there was key. She volunteered at the clothing store, cleaned common areas, participated in communal cooking, and took various classes. “It helped me feel proud, like you’re actually somebody now and not just someone who is hiding in a room.”

She also became a mentor to other women who were struggling with addictions. “Once you talk about it more and talk with other women, you can relate to them. You share each other’s stories and it takes it off your shoulders after so many years of keeping it inside,” she says.

Desjarlais has since moved into her own place, which she shares with her adult daughter. She continues to spend time at the YWCA, serving as a role model for other women accessing its services. “Now, I’m actually looking after me. It took a long time. If it wasn’t for this place, I don’t know where I’d be right now. I’m so grateful and thankful that I got to stay here.”

“Last year, we turned away 3,000 women and children from our shelters due to lack of capacity,” says Melissa Coomber-Bendtsen BEd’02, YWCA Regina chief executive officer."

The YWCA is a lifeline for many, currently helping more than 7,000 women and families each year with services that address family homelessness, gender-based violence, housing support, wellness and childcare. It has grown to the point where its current facility, located in downtown Regina, can no longer meet the needs of its staff and clients. “Last year, we turned away 3,000 women and children from our shelters due to lack of capacity,” says Melissa Coomber-Bendtsen BEd’02, YWCA Regina chief executive officer.

The YWCA has also had to make do with less-than-ideal spaces for its programming. For example, the daycare is in a former cafeteria, and the children’s craft room is in an old gym change room in the basement. Meeting rooms are often not only double-booked, but also quadruple-booked, with internal and external groups jockeying for spots.

Melissa Coomber-Bendtsen, YWCA Regina chief executive officer. Photo by Trevor Hopkin
Melissa Coomber-Bendtsen, YWCA Regina chief executive officer. Photo by Trevor Hopkin

The solution? The new YWCA Regina Centre for Women and Families, a $45 million facility to be located in Regina’s Cathedral neighbourhood, at the site of the former Victoria School and Lucy Eley Park. In addition to the YWCA, the centre will serve as a hub for community services, housing Regina Mobile Crisis Services, All Nations Hope Network, Regina Sexual Assault Centre, a commercial kitchen, traditional Indigenous healing and medicine spaces, and various pop-up services, such as immunization clinics and grocery stores. It will also have a café, two childcare centres, a used clothing store, multipurpose spaces that can be rented by the public, and additional housing units.

An architectural rendering of the north elevation of the YWCA Regina’s $45 million Centre for Women and Families set for opening in 2022. Courtesy of YWCA Regina
An architectural rendering of the north elevation of the YWCA Regina’s $45 million Centre for Women and Families set for opening in 2022. Courtesy of YWCA Regina
An artist’s rendering of the courtyard of the Centre for Women and Families. Courtesy of YWCA Regina
An artist’s rendering of the courtyard of the Centre for Women and Families. Courtesy of YWCA Regina

The premise for the new centre was inspired by six simple leather chairs in the lobby of the current building. “Those chairs are always full of people who live here and people who are coming off the street and just need a safe place to rest. If people are coming in, whether they’ve been drinking all night, are on drugs or escaping an abusive partner, they’re comfortable walking into our space and know they won’t be asked to leave,” says Coomber-Bendtsen. As she watched people in the chairs, she started wondering, “What if we had services for them while they’re here? What does that look like? How can we prevent people from going into total crisis? That’s how the concept of the Centre for Women and Families started: How many more leather chairs do we need? If we had all the space in the world, what could we do?”

The centre will allow the YWCA to fulfil its goal of providing trauma-informed care (practices that promote a culture of safety, empowerment, and healing) for the people it serves. This means every woman, child, and family member who comes into the space is treated based on their specific traumas and experiences. The staff at the reception desk assess the immediate needs of people walking in — do they need food, water, a private space to “chill out”? — as well as whether they need to access longer-term services.

All Nations Hope Network is looking forward to moving into the centre once it opens in 2022. Grounded in Indigenous spirituality and cultural practices, the network serves people who are dealing with HIV/AIDS and Hepatitis C, and who may also be struggling with addictions, homelessness, and poverty. As with the YWCA’s current location, the facilities for All Nations Hope Network are far from ideal. Its administrative offices are located in Fort Qu’Appelle, its outreach programs are run out of a building in North Central Regina, with a ceremonial site and sweat lodge located several blocks away, and traditional medicines are processed and stored in CEO Margaret Kisikaw Piyesis’ garage.

Margaret Kisikaw Piyesis, CEO of Regina’s All Nations Hope Network. Photo by Carina Gartner, Details Photography Studio
Margaret Kisikaw Piyesis, CEO of Regina’s All Nations Hope Network. Photo by Carina Gartner, Details Photography Studio

“We need a sacred space where we can process and harvest our medicines and take care of them in a good way. We need a space where we can hold our ceremonies indoors and outdoors. We need a place that is more accessible. We need more staff to be navigating in the community, working with people who walk through our doors,” says Kisikaw Piyesis.

All Nations Hope Network will be moving its sacred site into the Centre for Women and Families, creating the city’s first indoor sweat lodge, where people can participate in ceremonies regardless of the season. Kisikaw Piyesis, a traditional medicine practitioner, stresses the importance of ceremony for Indigenous people. “At All Nations Hope Network, we are smudging and praying every day for the people. We are pleading consistently for the health and wellness of our families and children. We believe Indigenous people have solutions for what we face as we move through this place. We need to understand where we’re at and how we can bring solutions to life. We do all these things through ceremony.”

Coomber-Bendtsen believes that giving the sweat lodge a prominent place in the city is part of a process of reconciliation for the YWCA, a colonial institution that has been around for more than 150 years. “We recognized that it’s our duty to ensure this space is there and is protected as a healing lodge and sacred space past our time. It’s about giving that land back,” she says.

Coomber-Bendtsen addresses staff at YWCA Regina’s headquarters. Photo by Trevor Hopkin
Coomber-Bendtsen addresses staff at YWCA Regina’s headquarters. Photo by Trevor Hopkin

Kisikaw Piyesis appreciates the partnership with the YWCA. She says, “People are not coming in to save us or control us. They can sit beside us as allies.”

Although it’s only two blocks from the current YWCA, the change of location brings the Centre for Women and Families away from the downtown core and brings it into a residential neighbourhood. “That’s very deliberate,” Coomber-Bendtsen says. “Part of creating a sense of something greater than the crisis you’re involved in is about being authentically in a community. It’s about saying, ‘Everyone deserves to be part of a neighbourhood.’ ”

She notes that the facility will benefit people living in the community as well. “We’ve become isolated as community members in how we navigate neighbours and neighbourhoods. A healthy, vibrant community needs to have opportunities to give back and opportunities to participate, not just at Christmas, but on an ongoing basis, to exist outside of their fences and their worldviews.” She adds that reducing homelessness and instances where people have no place to go also reduces crime and creates a more vibrant neighbourhood. “The intent is to bring something rather than to take something away. The empty field is being taken away, but our intentions are to bring something even better.”

The YWCA is consulting with members of the neighbourhood on features of the centre that can serve them, such as the playground and park that will be located on site.

Creating the Centre for Women and Families is no small undertaking, but fortunately Coomber-Bendtsen has a strong team behind her: Tara Molson CCE’09 is the senior director of community programs; Alexis Losie BA’09 is the senior director of operations; and Lindsay Dell BAdmin’02 is the senior director of finance. Each of them is looking forward to the new centre for different reasons.

Tara Molson (right) is the senior director of community programs and Alexis Losie is the senior director of operations. They are seen here in YWCA Regina’s Encore Market, a second-hand store for low cost toys, clothing, books, and household goods. Photo by Trevor Hopkin
Tara Molson (right) is the senior director of community programs and Alexis Losie is the senior director of operations. They are seen here in YWCA Regina’s Encore Market, a second-hand store for low cost toys, clothing, books, and household goods. Photo by Trevor Hopkin

Molson, who is also responsible for childcare programs, says, “It will have a great impact on our childcare and families coming in. It’s going to open up space for them to stay a bit longer. Right now, people come drop off kids and leave right away. Having a café, more open space, more reason for them to stick around in the building will be positive.”

She is also excited about having a multipurpose space for kids’ activities that isn’t in an old shower. “Having the space to have proper teaching moments is hard to do in a basement with tons of different community groups coming in and out. Having moments with kids to help them heal and move forward in their lives will be a lot easier in a space like the hub.”

Losie is looking forward to seeing how a properly designed building can contribute to the well-being of the neighbourhood. “Six chairs have created a community in this lobby, such a strong community that I can’t wait to see what a building that is purpose-built can do for people we serve.” She is eager for a loading dock and storage areas to be able to accept larger donations from the public. Her vision for the building is to have “spaces to store things, spaces for people to volunteer on a regular basis, and a community that’s so magnetic and appealing that we have more volunteers than we know what to do with.”

Lindsay Dell is the YWCA Regina’s senior director of finance. Photo by Trevor Hopkin
Lindsay Dell is the YWCA Regina’s senior director of finance. Photo by Trevor Hopkin

Dell is the most recent member of the team, having only been on the job for a few months. She mentions that the new building will bring in diversified revenue for the organization, through leases from community partners and fee-for-service programming, which means the YWCA will be less reliant on government funding. “The sustainability is really what we want. It’s an exciting project to be a part of. I’m still on the high of being in a new job. For me, it was about coming to an organization that’s very empowering for women,” says Dell.

Molson, Losie, Dell and Coomber-Bendtsen are all University of Regina graduates. Each feel that their time at the U of R helped prepare them for their current roles and reflects the work they’re doing at the YWCA.

“The only other building I can think of to have residences and offices — people living there, working there, food services, renting places for special events — is the University of Regina. Not a lot of places offer those services on one property,” says Losie.

Lindsay Dell (left) and Tara Molson share a laugh during a morning meeting at YWCA Regina. Photo by Trevor Hopkin
Lindsay Dell (left) and Tara Molson share a laugh during a morning meeting at YWCA Regina. Photo by Trevor Hopkin

She sees the sense of community at the YWCA and the University in the same way. “If you were someone at University who went to classes and left campus, you had a different experience than people who immersed themselves in the culture and gave back. That’s how I met people — by getting involved in events going on there. You see that with the women here — there are new-found friendships because they took a sewing class together or took part in some of our events here. Those are bonds that I can liken to student groups. That’s where you develop social circles.”

Coomber-Bendtsen agrees and says that the U of R helps to build both individuals and communities by encouraging students to go beyond their comfort zones. “There’s a vulnerability to the age I was when I went to university. There’s a risk — you’re always asked to put yourself in situations that felt uncomfortable. That’s where my greatest amount of growth came from, when I reflect back. Every time I did that, there was success inherent in that. That’s reflective in tackling something like this. I learned through my University of Regina experiences that great things happen when you put yourself in uncomfortable situations, where you’re asked to learn something completely different than your skill set. You learn that taking that risk is important.”

About the Author

Sabrina Cataldo is an award-winning writer and communications strategist in Regina.

Photos by Trevor Hopkin

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Candy Fox BFA’15 has had a very busy few years. Since graduating from the University of Regina’s Department of Film in 2015, the Cree independent filmmaker has maintained a fast-paced schedule while enjoying many successes along the way; her fourth-year graduating film, Backroads, has garnered several awards and was included in the Toronto International Film Festival’s Canada Top Ten Student Films for 2015.

Her most recent production, ahkameyimo nitanis/Keep Going My Daughter, a poetic documentary that expresses the hopes of two young Indigenous parents for their daughter, was made in 2018 through the National Screen Institute’s Indigidocs program and selected to premiere at the 2019 Hot Docs festival. These accolades have since attracted the attention of the film industry; Fox’s network television directing debut, The Other Side, will air on APTN this fall.

“I appreciated that I was able to take my time at school, go at my own pace, find my footing, and really develop my voice. I think my career would be vastly different if I went east or west…”

In the meantime, she has several new projects in the works with plans to begin development in the coming year. Fox credits the University of Regina’s film program – and the connections she made there – for equipping her with the tools necessary to succeed as an independent filmmaker in an increasingly challenging landscape.

Regina filmmaker and Department of Film graduate Candy Fox BFA’15. (Photo courtesy of Candy Fox) Regina filmmaker and Department of Film graduate Candy Fox BFA’15. (Photo courtesy of Candy Fox)

“I was really glad that we had a degree-granting program in Regina,” Fox says. “A lot of work that I’ve gotten was because of the attention I received for Backroads. I appreciated that I was able to take my time at school, go at my own pace, find my footing, and really develop my voice. I think my career would be vastly different if I went east or west because I wouldn't be focusing on stories that relate to my own familial history here on these lands. For me, there’s a huge value in staying on the land that I come from for my storytelling.” The Department of Film at the University of Regina offers the only degree-granting film program between the Great Lakes and Vancouver. Regina is perhaps an unlikely locale for a film school, in a part of the country more often associated with agriculture and resource extraction. It has put the University in a unique position to attract emerging filmmakers from across the Prairies.

The Department of Film at the University of Regina offers the only degree-granting film program between the Great Lakes and Vancouver.

“Some of our best students come from smaller communities in the province,” says associate professor Gerald Saul BFA’93. “We’re training our own kids from our own province and helping them find their voice here.”

Saul has been teaching in the program since 1997 and says film culture has changed, with more images on different platforms being generated than ever before and technology that changes every year. However, the basics of what he teaches – frame composition, editing, film language, and working collaboratively – are similar to what he learned back when he was a film student. “We shoot more projects now, just because resources used to be more expensive, and that meant making multiple projects every semester was very difficult,” he says. “Now students are able to make more projects – and they can work faster – but the same learning milestones are there.”

Former department head, associate professor, Gerald Saul BFA’93. (Photo by Trevor Hopkin)

"A truly great quality of the film program, both undergraduate and graduate, is how impressively the faculty and staff support and mentor the students,” says Rae Staseson BFA’87, dean of the Faculty of Media, Art, & Performance. “Film students quickly have a sense of ‘home’ once in the Department, and this sense of place allows the students to prosper in ways they may not have in a different kind of program."

In its early years, Marner brought a pageant of prominent filmmakers to visit the University’s burgeoning program, including Indian Film Crew (National Film Board) founding member Noel Starblanket, experimental film giant Bruce Baillie, National Film Board founder John Grierson, and father of Canadian direct-cinema Allan King.

Dean of the Faculty of Media, Art, and Performance, Rae Staseson BFA’87. (Photo by Trevor Hopkin) Dean of the Faculty of Media, Art, and Performance, Rae Staseson BFA’87. (Photo by Trevor Hopkin)

This year marks 40 years since the University of Regina awarded its first degree in film. Its first graduate, Ron Forsythe, went on to enjoy a decades-long career as a Gemini and Canadian Screen Award-winning director for CBC Sports, whose credits include Olympic Games, Stanley Cup finals and Grey Cup games. But the origins of the program date back more than a decade earlier to the late 1960s when the University of Saskatchewan’s fine arts school (then at the University of Saskatchewan’s Regina Campus on College Avenue) attracted Terence Marner, an English painter and recent transplant to Canada. Marner had a personal interest in film and started teaching an introductory course in 1968, but when he started putting the wheels in motion to establish a program, it wasn’t an easy sell. “There was an interest in film but unfortunately, when Dr. William Riddell (first principal of the University of Saskatchewan’s Regina Campus) sent a proposal to the faculty, they didn’t think of film as being one of the fine arts,” he says.

This year marks 40 years since the University of Regina awarded its first degree in film.

Former department head Terence Marner, who taught the first film class at the University of Regina in 1968. (Photo by Kate Cino for Art Openings) Former department head Terence Marner, who taught the first film class at the University of Regina in 1968. (Photo by Kate Cino for Art Openings)

In 1970, Marner took leave from the University to attend the London Film School. In the meantime, he’d reached out to Jean Oser, a renowned German filmmaker and editor with a 40-plus year career working on such films as The Threepenny Opera and Westfront 1918 by G.W. Pabst. Marner convinced Oser to leave his residence in New York to cover Marner’s classes while he was away. Oser, whose legendary expertise and enthusiasm for film became synonymous with the program, found a welcoming home in Regina. He decided to stay and quickly became a favourite instructor.

Oser’s influence on film culture in Saskatchewan would prove indelible, extending to a generation of filmmakers who would help nurture a unique film culture in the province.

“Jean was a really good teacher and a great inspiration,” Marner says. Oser’s influence on film culture in Saskatchewan would prove indelible, extending to a generation of filmmakers who would help nurture a unique film culture in the province. Some of Oser’s students eventually went on to become professors and instructors in the program: Larry Bauman, Elaine Pain BFA’91, Gerald Saul BFA’93, Brian Stockton BFA’91, Will Dixon BA’87, and Mark Wihak BA’90 among them. Oser was named Professor Emeritus in 1989 and the Department of Film named an award in his honour to acknowledge the academic year’s most outstanding film studies essays.

When Marner returned to Regina in 1972, fuelled by his experiences at the London Film School and after publishing two books on filmmaking, he was inspired to put the program on a different course. “When I went over to England, my roots were in avant-garde production,” Marner says. “However, on my return to Regina, I wanted the students to realise their individual creativity by having a good command of their craft — and a professional ethic that would prepare them to succeed either in an industrial setting or as independent filmmakers.”

When Oser retired in 1975, Marner was, once again, left to run the school’s film courses on his own. If a film program had any hope of being established, he needed at least one other faculty member — and the University could not supply the necessary financial support at that time. Marner persuaded Campion College to provide one film studies faculty member, which allowed him to concentrate on teaching production classes. Professor John Matheson S.J., a member of Campion College faculty, joined Marner to help launch the program. Matheson's contributions were crucial to the success of the department where he taught film studies until his retirement in 1996. In 1976, the first discussions about how to establish a fully-fledged academic department began.

Renowned German filmmaker and editor Jean Oser, an early instructor at the University, inspired many of the first generation of Saskatchewan filmmakers. (Photo courtesy of Department of Film) Renowned German filmmaker and editor Jean Oser, an early instructor at the University, inspired many of the first generation of Saskatchewan filmmakers. (Photo courtesy of Department of Film)

In the decades since the program’s humble beginnings, Saskatchewan has produced a bumper crop of filmmakers who would find their place as leaders in the Canadian film industry (and elsewhere) with a Prairie-based perspective on the world.

In its early years, Marner brought a pageant of prominent filmmakers to visit the University’s burgeoning program, including Indian Film Crew (National Film Board) founding member Noel Starblanket, experimental film giant Bruce Baillie, National Film Board founder John Grierson, and father of Canadian direct-cinema Allan King. This was more than a decade before anything remotely resembling a film production industry would arrive in Saskatchewan but by the time the industry began to emerge in the late 1980s — led by many of the program’s early graduates — a bustling production hub was born.

In the decades since the program’s humble beginnings, Saskatchewan has produced a bumper crop of filmmakers who would find their place as leaders in the Canadian film industry (and elsewhere) with a Prairie-based perspective on the world. University of Regina graduates have gone on to help make a number of home-grown television series and films, including Corner Gas, Wapos Bay, Prairie Giant, The Englishman’s Boy, Landscape as Muse, Incredible Story Studio, RenegadePress.com, and others.

While the bigger industry work that once employed many University of Regina graduates on large film sets is no longer an option in this province, there has, in recent years, been a notable increase in independent production.

Alumni that have received or been nominated for Canadian Screen and Gemini awards include Jackie Dzuba BA’89 (The Englishman’s Boy), Ian Toews BFA’99 and Mark Bradely BFA’98 (Landscape as Muse), Dennis Jackson BFA’98 (Wapos Bay), Rob Pytlyk BFA’03 (Drug Class), Ron Forsythe BA’80 (CBC Sports and Sportsnet), Jeff Beesley BFA’96 (Corner Gas), Jason Nielsen BFA’91 (Landscape as Muse), Darryl Kesslar BFA’93 (The Neighbour’s Dog), Lucas Frison BFA’14 and others. The program has also produced many educators, curators, and programmers, including Alumni Crowning Achievent Award recipient, Janine Windolph BFA’06, MFA’11 (Banff Centre), Jemma Gilboy BFA’08, BA(Hons)’09 (Nottingham Trent University, UK), Roy Cross BA’90 (Concordia University), Belinda New BA’86 (RPL Film Theatre and Rainbow Cinemas’ Studio 7), and Will Dixon BA’87 (CityTV Saskatchewan).

If there’s a path forward to producing more Saskatchewan-based film and television, it may well lay in the kinds of smaller, boutique productions that it has seen over the past five years.

After her graduation in 2012, Amy Mantyka BFA’12 founded Play Creative with her classmates Mike Maekelburger BFA’11 and Chris Miller BFA’11. The award-winning full-service production company is gaining a national reputation for its outstanding video productions. (Photo by Trevor Hopkin)

“Without meeting those people in film school, I really wonder what I’d be doing today,” she says of her colleagues. Mantyka graduated from the program in 2012, when the Saskatchewan film industry was taking a hit from the provincial government’s cancellation of the Saskatchewan Film Employment Tax Credit — a crucial element in attracting business to the local production industry. As it happened, Mantyka had decided to forge a business on her own a few years earlier, after spending time as a production assistant on a television show set between semesters.

While on set, even though she wasn’t yet out of school, Mantyka was asked which departmental roles she’d like to pursue. The experience gave her pause for thought and helped to refocus her career path. “Sometimes it’s about learning what you don’t want to do,” Mantyka says. “I was thinking about what I wanted to do with my film degree and if it felt right to start working on large film sets. I didn’t want to commit to a specific role, or crew position, so quickly.”

The foundations of Amy Mantyka’s BFA’12 business were laid at the film school during her graduating year. Mantyka runs Play Creative, a full-service production company in Regina, with fellow University of Regina film graduates Mike Maekelburger BFA’11 and Chris Miller BFA’11. The company creates commercial content for a growing roster of clients ranging from Crown corporations to the private sector, enabling the company to maintain a full production and post-production studio, and employ a full-time staff of six.

Amy Mantyka directs a “Plan to be Different” campaign commercial
for Sasktel in June 2019 near Lumsden. (Photo courtesy of Play Creative)

Her time at the University of Regina’s film program exposed her to the experience of having more control over an entire production and carving out a career that entailed directing her own work. “I’m very thankful I went to film school at the U of R because it enabled me to write and direct my own projects. It was definitely a very collaborative experience, but having that sense of authorship really influenced me.”

While the loss of the Saskatchewan film industry has had an undeniable effect on the Department of Film, Saul is quick to point out that the value of its the program goes well beyond that of a training school. “We teach people to be creative and to use film as a means of creative expression,” Saul says. “There is now no local industry welcoming you in – you have to make your own work. Our students today have a better sense of where they want to go. They’re more realistic.”

Film graduate Candy Fox and her production crew for her film ahkâmêyimo nitânis (Keep Going, My Daughter). This photo was taken on the first day of production and includes (left to right) producer Chris Tyrone Ross, camera assistant Elian Mikkola, sound recordist Muskwa Lerat, Fox, and director of photography Aaron Bernakevitch. The film was shot in October 2018. (Photo courtesy of Candy Fox) Film graduate Candy Fox and her production crew for her film ahkâmêyimo nitânis (Keep Going, My Daughter). This photo was taken on the first day of production and includes (left to right) producer Chris Tyrone Ross, camera assistant Elian Mikkola, sound recordist Muskwa Lerat, Fox, and director of photography Aaron Bernakevitch. The film was shot in October 2018. (Photo courtesy of Candy Fox)

In many ways, the scene for local filmmakers and producers now harkens back to the early days before the province’s film industry ever took root. While the bigger industry work that once employed many University of Regina graduates on large film sets is no longer an option in this province, there has, in recent years, been a notable increase in independent production.

University of Regina graduate Lowell Dean’s BFA’02 feature film, WolfCop, was produced in 2014. Graduate Matt Yim BFA’12 made his feature film, Basic Human Needs, in 2015, as did Department of Film professor Brian Stockton when he completed The Sabbatical. University of Regina sessional instructor Robin Schlaht’s BFA’92 arts documentary series, Making It in Saskatchewan (CityTV), was produced in 2019.

If there’s a path forward to producing more Saskatchewan-based film and television, it may well lay in the kinds of smaller, boutique productions that it has seen over the past five years.

“Our own stories have to be made,” Marner says. “We have to tell our own stories or else we’ll just be left with other people’s.”

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