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Lifetime Achievement Award
Guy Vanderhaeghe is a national treasure who has written his way into the annals of great Canadian authors. He has received numerous awards for his writing. His first book, Man Descending, received a Governor General’s Award and the United Kingdom’s Faber Prize. His novel The Englishman’s Boy won him a second Governor General’s Award, Saskatchewan Book Awards in two categories, and a place on the short list for the Giller Prize. Two later books also based on the history of the West, The Last Crossing and A Good Man, have earned several awards. His most recent work, Daddy Lenin and Other Stories, published in 2015, also won a Governor General’s Award.
“Awards are always hard to put into perspective,” he says. “I’ve been very grateful for each one I’ve received, and also very surprised. My response is: ‘Who, me?’ Having already received one lifetime achievement award, a second is also a little scary,” he adds with a laugh. “Is there a hidden message there?” Vanderhaeghe is a member of the Saskatchewan Order of Merit, a recipient of the Lieutenant Governor’s Award for Lifetime Achievement in the Arts, and an Officer of the Order of Canada.
After earning three degrees from the University of Saskatchewan, he worked there as a research officer and as an archival and library assistant from 1973 to 1977. He then spent an extremely busy year at the University of Regina, packing a heavy course load for an education degree into one year so he could fulfill a contract to teach high school in Herbert, Saskatchewan.
Much of Vanderhaeghe’s writing is rooted in the 19th-century West; he finds the fresh new ground of this relatively unexploited field attractive. He credits his years as a graduate student in history and his work as an archivist for giving him the basic skills needed to ferret out information essential to a historical novel. Unlike an academic historian, however, his focus is on what he calls the textures of the past: details such as what people ate, how they dressed and how they entertained themselves.
“He is simply the greatest, most widely applauded writer to come out of this province, by all accounts a beloved teacher and mentor, and he is very good company.”
“Above all, I’m interested in how individuals regarded and responded to the world in which they lived, and in showing that while their ideas about certain matters diverged from ours, they still faced and wrestled with many of the same human quandaries that we do,” he says. “I think that paying attention to details is what makes fiction – any kind of fiction – come alive for readers.”
Fellow author and editor David Carpenter recalls reading one of Vanderhaeghe’s short stories almost 40 years ago, and knowing immediately “… this writer was the real thing. We must have met about 1981, and by 1982 I had become the self appointed president of his fan club.”
Carpenter says Vanderhaeghe’s work is as perceptive and hard-edged as the early work of Sinclair Ross, who wrote about Depression-era Saskatchewan. They both knew about the severities of life in rural Saskatchewan, he observes, but Vanderhaeghe’s work has a greater range than Ross’s Depression stories. “Guy’s stories and novels can be simultaneously grotesque and witty; and at the end of each work, there are no easy answers,” Carpenter states. “He is simply the greatest, most widely applauded writer to come out of this province, by all accounts a beloved teacher and mentor, and he is very good company.”
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Distinguished Alumni Award for
Humanitarian & Community Service
From the age of nine, Joan Halmo played the organ in church in her hometown of Kuroki, Saskatchewan. It clearly instilled in her a love of music – including church music in all its rich variety – as well as a devotion to education, built heritage, and musical and cultural activities in her community and beyond.
Halmo is currently the executive and artistic director of Gustin House, a historic residence and studio space in Saskatoon named after Dr. Lyell Gustin, who taught piano to countless students – including Halmo – for almost 70 years. Under Gustin’s mentorship, Halmo attained a Licentiate in Piano Performance from Trinity College London.
Halmo was invited to join the non-profit Gustin/Trounce Heritage Committee that had been established after Gustin’s death to preserve his artistic legacy and follow his example of advocacy for music and the fine arts. During 2004-05, Halmo led the committee’s work in completely restoring the former home and studio, which was designated a Provincial Heritage Property in 2008. She also spearheaded the initiative to stabilize Trounce House, a small residence situated on the same city lot as Gustin House. Built in 1883, it is Saskatoon’s oldest surviving building.
In addition to physical restoration projects, since 2005 Halmo and her colleagues have re-established Gustin traditions of musical programming, including a series of three concerts featuring performers from national and international stages and a series of smaller-scale interdisciplinary programs held at Gustin House.
“Built heritage is a witness to our shared history as a city, a community, a province and a nation,” she says. “We need built heritage as a physical reminder of our origins, our stories, and the direction that the future can take. There is a kind of magic in that Dr. Gustin’s last teaching piano continues to send music throughout the house, as it has for so many years.”
“ I am humbled by being selected, by being in the company of other awardees who are greatly accomplished and greatly deserving, ”
Gregory Schulte, an organist and part of the seven-member Heritage Committee for 12 years, affirms that Halmo is the right person to lead the way in continuing the Gustin legacy. “She has the cultural foundation – including her education – that has given her an understanding that is deep and unshaken in her view that the arts should be contributing to society,” Schulte states. “She understood why it was important to preserve Gustin House for the benefit of the whole community.”
Halmo graduated from the University with her bachelor’s degree in 1977, receiving both the University Medal and President’s Medal. She received numerous scholarships while earning a Master of Liturgical Music from the Catholic University of America in 1978, a Master of Arts from St. John’s University in Minnesota in 1982, and a doctorate in Musicology from the Catholic University of America in 1993. While teaching at the University of Saskatchewan, she received grants from the Social Sciences and Humanities Research Council to study music manuscripts and the Lyell Gustin legacy.
She received a City of Saskatoon volunteer award for heritage in 2012, and a Campion College alumni award in 2015.
“ I am humbled by being selected, by being in the company of other awardees who are greatly accomplished and greatly deserving, ” she says. “Given this marvelous honour, I hope to go forward worthily as an alumna of this fine university that gave me so much.”
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